I became interested in Arabic geometry and zilij around the same time that the “Moroccan trellis” type of quatrefoil pattern started showing up everywhere. I’ve got a camera case, computer screen wipes box, and even a kitty litter mat with variations of this pattern on them. I’m both delighted by the availability of this design, …
The song that most caught my attention on Twin Gate when I first listened to it was “Unforgive You.” It’s such a haunting track, and the specificity of the person described made me wonder who it was written for. Actually, I think that’s how I came to find miko’s blog, as she explains there exactly …
It was a bit hard to keep my concentration up to get through this translation, but I’m trying to do like that one lady told Picard and “Never give up [my] music.” (A gingerbread cookie to whoever gets the reference and can cite season & episode number. Ahaha…) It didn’t help that I recently got …
When I first introduced my project to make an unusual bookshelf, I mentioned that it ultimately was to go in a particular corner of my room. While I’ve already unveiled the finished product in the post about my program’s exhibit this past June, I wanted to show what it looks like in situ. I also …
I had bought issue #44 of Rock and Read back when it came out in 2012, solely for the GACKT article. In 2013 I learned of YOHIO through his collaboration with GACKT on the song “Sakura, falling.” It wasn’t until this year, when I sat down to translate the aforementioned GACKT interview, that I realized …
This interview comes from the November 2012 issue of Rock and Read (#44). The interviewer is Ayano NISHIMURA. Usually, I don’t mind if someone posts a copy to their own site of a fan translation I’ve done (as long as they link back to me), but given how much work I put into this one …
A belated Happy New Year, Feliz Año Nuevo, and 明けましておめでとうございます！ Had I gone to Japan to see the KHAOS tour, I would’ve gone to the Kobe show on the 22nd. So I thought it fitting to try to get another part done at this time. So, let’s get back to it. For earlier portions, please … Continue reading
This is the continuation and conclusion of the unpublished post-Jōgen no Tsuki interview started in the first part of this chapter. For earlier portions, please see the Table of Contents. ☆ —Getting back to this tour, what venue was the most memorable for you? Osaka. Because before I even got up on stage, I felt how … Continue reading
お久しぶり！It’s been a long time, O Readers. A belated Happy Winter Solstice, Happy Festivus, Happy Emperor’s Birthday (or did it switch to the new Emperor’s already?), Merry Christmas, Happy Hanukkah, and Happy Kwanzaa! When GACKT announced the KHAOS tour back in September, I started making plans to go. Some of the tour dates overlapped with … Continue reading
This translation includes Jyou’s spoken part on the album version of the song. (Not that I know for sure that she’s said other things for other versions, but it seems like a logical assumption to make.) I could catch all but a couple of words myself, but I found this Japanese site, UtaTen, that had … Continue reading
Back when I did “Nagai Yume no Owari ni,” I mentioned that miko had written a blog post about that track where she said that song had actually been performed live before WORLD MAKER‘s release as part of the story of Little Mary. The first release to include that track, “Ritoru Mearii to Utsukushiki Nikushimi … Continue reading
This song may sound like a slightly dark fairy tale if you’re only listening to it, and to the album version at that, where miko’s ultra nasal high-pitched singing makes you think of a little 8-year-old girl. But if you read the lyrics as written in the liner notes, it turns into a tale fit … Continue reading
This is it, the final part of Chapter 6! Here’s the Table of Contents for earlier portions. ☆ July 5, 2003 Yokohama Arena (First Day) “I’ve set up many doors that lead to me, so you can get to know me. But I don’t want people looking for the exit right after stepping through.” Appearing … Continue reading
